The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.

The solo exhibition of Elmgreen & Dragset consisted of twelve architectural interventions that, together, composed a playful and ironic domestic setting. Each of these homes, variations of the classical western pitched-roof house, contained different installations. Through each of these domestic environments, the spectators experienced the various works.